keith emerson Archive
It’s unfortunate that when the Nice come up in conversation today, they’re too quickly summed up as “the band that Keith Emerson was in before ELP.” That’s a true enough description, but it has the effect of dismissing the contributions of the band’s other members, and overlooking the power of the group as a whole.
My shelf full of albums to be reviewed has run out of space. So once again it’s time for a raft of hundred-word reviews. All sixteen titles in this roundup are reissues, compilations and/or archival releases. 6-String Drag – High Hat (Schoolkids Records) Before Americana was coined as a genre, there was alt-country. Combining rock
Continued from Part Two … Bill Kopp: With the benefit of studio technology, bands in the early ’70s could overdub and make really dense, layered albums. Reproducing that sound onstage was another matter, especially for a three-piece, I would imagine … Carl Palmer: Of course we didn’t have MIDI in those days, so we couldn’t
Continued from Part One … Bill Kopp: The term “supergroup” was just coming into use around the time ELP got started. And it certainly applied to you three, since each of you had achieved success in previous projects. I would imagine there were expectations placed upon you by the music press and so forth. Did
Late-breaking Author’s Note: Very shortly after I turned in this feature for publication — it ran in December on BLURT — news broke that Greg Lake had succumbed to cancer at age 69. Carl Palmer and I didn’t spend a lot of time discussing Greg specifically, but Carl did, as you’ll see, make repeated references
Once again, it’s time for some hundred-word reviews. This first set spotlights five archival releases loosely falling into the prog subgenre. Greg Lake & Geoff Downes – Ride the Tiger We head pretty far into the prog-rock weeds for this one. Greg Lake (guitar, bass) of ELP got together with Geoff Downes (Buggles, Yes, Asia)
There’s a never-ending stream of new music, so it’s time once again for some hundred-worders to work off some of my backlog. As always, these all deserve full reviews, but with limited time and resources, 100 words will have to do. I’ll cut to the chase. Today it’s a wide assortment of music, from rock
At age 69, keyboard legend and virtuoso Keith Emerson has slowed down his pace, but ever so slightly. He no longer tours on a level commensurate with his 70s work in Emerson, Lake and Palmer. In fact, his recent performance at Moogfest 2014 here in Asheville was a one-off show, not part of any tour.
Continued from Part One… Keith Emerson was mainly in town, though, for a press conference at which the engineers at Moog Music unveiled what Emerson dubbed “the clone,” a from-the-ground-up duplicate of the massive modular unit Emerson carries around with him to gigs. Partly a can-we-even-do-it exercise, the development of the Emerson Modular is a
Moogfest 2014 was indeed quite a different creature than its immediate predecessors. In both its focus and attitude, the five-day music/arts/technology event in Asheville NC was closer to the spirit of the original Moogfest, a smallish event held in New York City. Of course the festival’s namesake, pioneering innovator Dr. Robert A. Moog – the