keith emerson Archive
One of progressive rock’s leading lights as well as one of its first supergroups, Emerson Lake & Palmer exploded onto the music scene with “Lucky Man,” the hit single from their self-titled debut album. Featuring the virtuoso keyboard work of pianist Keith Emerson, the group also pioneered use of the Moog synthesizer, a then-new instrument
This month, I’m hitting pause on coverage of new artists and releases, focusing instead for a bit on the bodies of work from some of my favorite artists. — bk The prog trio people love to hate, ELP were undeniably a polarizing force. At their best they were thrilling, innovative and wonderfully melodic. At their
It’s unfortunate that when the Nice come up in conversation today, they’re too quickly summed up as “the band that Keith Emerson was in before ELP.” That’s a true enough description, but it has the effect of dismissing the contributions of the band’s other members, and overlooking the power of the group as a whole.
My shelf full of albums to be reviewed has run out of space. So once again it’s time for a raft of hundred-word reviews. All sixteen titles in this roundup are reissues, compilations and/or archival releases. 6-String Drag – High Hat (Schoolkids Records) Before Americana was coined as a genre, there was alt-country. Combining rock
Continued from Part Two … Bill Kopp: With the benefit of studio technology, bands in the early ’70s could overdub and make really dense, layered albums. Reproducing that sound onstage was another matter, especially for a three-piece, I would imagine … Carl Palmer: Of course we didn’t have MIDI in those days, so we couldn’t
Continued from Part One … Bill Kopp: The term “supergroup” was just coming into use around the time ELP got started. And it certainly applied to you three, since each of you had achieved success in previous projects. I would imagine there were expectations placed upon you by the music press and so forth. Did
Late-breaking Author’s Note: Very shortly after I turned in this feature for publication — it ran in December on BLURT — news broke that Greg Lake had succumbed to cancer at age 69. Carl Palmer and I didn’t spend a lot of time discussing Greg specifically, but Carl did, as you’ll see, make repeated references
Once again, it’s time for some hundred-word reviews. This first set spotlights five archival releases loosely falling into the prog subgenre. Greg Lake & Geoff Downes – Ride the Tiger We head pretty far into the prog-rock weeds for this one. Greg Lake (guitar, bass) of ELP got together with Geoff Downes (Buggles, Yes, Asia)
There’s a never-ending stream of new music, so it’s time once again for some hundred-worders to work off some of my backlog. As always, these all deserve full reviews, but with limited time and resources, 100 words will have to do. I’ll cut to the chase. Today it’s a wide assortment of music, from rock
At age 69, keyboard legend and virtuoso Keith Emerson has slowed down his pace, but ever so slightly. He no longer tours on a level commensurate with his 70s work in Emerson, Lake and Palmer. In fact, his recent performance at Moogfest 2014 here in Asheville was a one-off show, not part of any tour.