john coltrane Archive

Hundred-word Reviews for December 2021: Archival Releases

This has been a good year for archival and reissue releases. It’s been quite a while since I’ve done a roundup of those, so here’s one to help bring the year to a close. John Coltrane – A Love Supreme: Live in Seattle The importance of John Coltrane upon the direction of jazz can’t be

Album Review: Dave Liebman Expansions — Selflessness

Selflessness isn’t saxophonist Dave Liebman’s first tribute to John Coltrane, but as Lewis Porter’s liner notes explain, it’s the first of those in which he works with his current band rather than a one-off assemblage. And the result of this approach is a natural, unforced session in which there’s a kind of preternatural, unspoken communication

Musoscribe’s Best of 2019: Reissue/archival Releases

2019 was another great year for reissue and archival releases. A few stood out as especially noteworthy; those are listed and briefly described) below. More details (my reviews, interviews … that sort of thing) can be found by clicking the links below each. The Black Watch – 31 Years of Obscurity I wasn’t familiar John

My Favorite Year: ‘Coltrane ‘58: The Prestige Recordings’

1958 was a landmark year for saxophonist John Coltrane, and by extension for jazz as a whole as well. Coltrane had made his first recordings (in Hawaii with fellow Navy servicemen) some 12 years earlier, and played as a sideman with Miles Davis and Thelonious Monk in the middle 1950s. and didn’t begin recording under

Album Review: Miles Davis & John Coltrane — The Final Tour

Miles Davis’ 1960 tour with John Coltrane ranks among the most historically significant series of concerts by either of those artists. And that’s saying something, in light of each musician’s landmark importance. The Davis estate has, in recent years, been releasing sets of recordings under the banner of “The Bootleg Series,” because many of these

Hundred-word Reviews for Nov./Dec. 2016, Part 4 of 10

Happy Thanksgiving. Here are five more quick reviews. Today it’s all jazz. John Surman et. al. – Morning Glory If your tastes extend toward free and modal jazz – think Ornette Coleman, for example – then a new reissue of this 1973 live album may be just the thing for you. Alternating between high-flying musical

Hundred Word Reviews for May 2015, Part 7

It’s an all-jazz-legends day here on Musoscribe: three new compilations and two reissues document some important music from some of jazz’s innovators. The Elvin Jones Jazz Machine – Remembrance Post-bop drummer Elvin Jones launched his recording career in the late 1940s as a sideman with Billy Mitchell; he’d go on to play on well over

Catching Up With Modern Jazz, Part One

As many readers know, I’m a relative latecomer to appreciation of jazz. Other than a copy of Weather Report‘s Heavy Weather LP, my record collection was all but jazz-free until I picked up a good condition (monaural) vinyl copy of Cannonball Adderley‘s Somethin’ Else at a garage sale sometime in the early 90s. Though it