jody stephens Archive

Album Review: Big Star — In Space

To those who followed Alex Chilton’s musical activities in the 1980s and beyond, the thought that he would ever revisit his Big Star-era music – much less put the band back together – seemed extraordinarily unlikely. So when it finally happened, with original drummer Jody Stephens plus the Posies (Jon Auer and Ken Stringfellow), it

Best Music of 2016: New Releases

I’ve said it before, and in 2016 it’s true as ever: those people who complain that there’s no good music any more simply aren’t looking hard enough, or in the right places. I had no trouble coming up with a Top Ten Eleven list of new albums for 2016. I easily could have added many

Best Music of 2016: Reissue/archival Releases

I love new music, but I’m also attuned to keeping up with the latest in reissues and archival releases. Sometimes those feature some of my favorite artists; other times they turn me on to music of the past that I’ve never even heard. In 2016 I’ve been able to select my Top Ten reissue and/or

Album Review: Big Star — Complete Third

The third album from Big Star is the most difficult in the Memphis group’s slim catalog of 1970s releases, and quite unlike its predecessors. The band’s debut – 1972’s #1 Record – is full of gems in an off-kilter power pop vein. Thanks in no small part to distribution problems at Ardent Records’ parent label

PRIX: The Band that Never Was

In March 1974, Jon Tiven had just turned 19 and was living in New York City. In the next two and half years, he’d find himself deeply enmeshed in a Memphis musical scene and saga that – while the stuff of legend today – went almost wholly unnoticed at the time. He variously played, wrote,

Album Mini-review: Those Pretty Wrongs

File next to: Starling Electric; Teenage Fanclub, The Posies Jody Stephens was the George Harrison of legendary Memphis power pop group Big Star: though these days Chris Bell and Alex Chilton get the lion’s share of credit for the transcendent melodies they served up on #1 Record and Radio City, Stephens’ contributions are too often