jean-michel jarre Archive

He Comes From Planet Jarre, Part Three

Continued from Part Two … Because a great deal of your work is instrumental, I’m curious about the inspiration for the pieces. Do you start with a non-musical concept, such as an emotion or story idea that serves as a catalyst for the song? Or do you start instead with a melody or a melodic

He Comes From Planet Jarre, Part Two

Continued from Part One … This may be a difficult question to answer. What do you see as uniquely French characteristics in your work? I think it’s maybe not that difficult. We should not forget that electronic music had nothing to do with the U.S. at the beginning. It has nothing to do with jazz,

He Comes From Planet Jarre, Part One

Last fall I had the honor of interviewing Jean-Michel Jarre for the second time (the two features based on our 2017 conversation are here and here). This second interview again resulted in two separate features; one ran in Stomp & Stammer; the other on Rock and Roll Globe. Here now is the full 2018 interview,

Jean-Michel Jarre on Making the Most of Music Technology

Jean-Michel Jarre built his music reputation on the strength of a series of groundbreaking 1970s albums. His second release, 1977’s Oxygène pioneered the use of analog synthesizers in a melodic context, and is widely viewed as an enduring influence upon today’s electronica artists. But Jarre remains busy with music today, and his approach isn’t stuck

Jean-Michel Jarre: Embracing — Yet Remaining Wary of — Technology

A pioneer in electronic music, French composer-performer Jean-Michel Jarre is as well-known for his stage spectaculars as for his innovations in ambient and new age music. Though he has always embraced new technology – from his earliest projects, his musical tools included synthesizers and drum machines – he remains wary of some of the uses