isis music hall Archive

30 Days Out, November 2020 #2: Samara Jade, G. Love, Amanda Anne Platt, The Krüger Brothers

We’re back to actual live shows, with restrictions. Livestream fatigue set in rather quickly, didn’t it? Turns out humans need to be together. But hey: we’ve gotta do it safely until a vaccine is ready. With that in mind, here are some highly worthwhile shows coming to Asheville in the next 30 days. Two locally-based

30 Day Out, November 2020 #1: JJ Grey & Mofro, Russ Wilson, Empire Strikes Brass, Reverend Peyton’s Big Damn Band

Is it November already? How did that happen? Things aren’t much better with regard to the pandemic, but we’re all continuing to find our way forward with regard to things like live music. The four artists covered below – two local to Asheville, two actually on tour – have found ways to bring live music

30 Days Out, October 2020 #2: Pretty Little Goat, Natti Love Joys, Marcus King Trio, Jane Kramer

Welp … looks like we’re back to live, in-person concerts. After a fashion, that is. All of the shows spotlighted in this edition of “30 Days Out” are socially-distanced in one manner or another. One’s a drive-in show (concertgoers stay in or near their vehicle). Another is an outdoor lawn concert. Another is in a

30 Days Out, October 2020 #1: Tom Paxton, Del McCoury Band, Papadosio, Frisson Ensemble

Since this pandemic seems to be hanging on (blame our inept current federal “leadership”), it’s up to performing artists, booking agents and music venues to find ways the at least approximate “normal.” They’re rising to that challenge in some positive ways. For this edition of 30 Days Out, I take a quick look at four

30 Days Out, September 2020 #2: Jeff Daniels, Craggy Blues, Black Sea Beat Society, Tin Roof Echo

The infernal pandemic is still with us, but artists and venues are finding ways to present live music in a setting that’s safe for audiences. In some cases that means live streaming; in others, socially-distanced, limited-seating engagements are increasingly popping up on the calendar. This roundup of live music in Asheville over the next 30

30 Days Out, September 2020 #1: Alien Music Club, Hard Rocket, Firecracker Jazz Band, Modern Strangers

For this edition of “30 Days Out,” it’s all local acts from here in Asheville. And two of the four shows are (socially-distanced) in-person shows. As in, live in real time without the use of a computer or smartphone. What a concept! There’s an admission fee for those, which is only fair. For the other

30 Days Out, March 2020 #2: Sister Ivy, Graham Nash, Wham Bam Bowie Band, Eilen Jewell

UPDATE March 17: It looks as if all live shows are canceled for the foreseeable future. Please support these and other artists by buying their music online, viewing (and paying for) livestreams .. .whatever they may have on offer. We’re all in this together. Because of the worldwide challenge posed by the spread of the

30 Days Out: March 2020 #1: The Yawpers, The Fritz, Southern Culture on the Skids, Eric Johnson

Punk/Americana hybrid. Funky soul that’s equal parts Donny Hathaway and funk/fusion. Unbridled rock ‘n’ roll with a sassy Southern flavor. And some of the most appealing electric guitar tone you’re ever likely to hear. Those are just some of what’s on offer on concert stages in Asheville in the coming thirty days. Artist: The Yawpers

30 Days Out: February 2020 #1: André Cholmondeley, Mike Dillon Band, Kamasi Washington, Rich Nelson Band

If you’re in and/or around Asheville, N.C. in the next 30 days, you’d do well to catch these shows. Artist: André Cholmondeley Venue: The Mothlight Date: Thursday, Feb. 6, 8 p.m. Door: $5 André is something of a renaissance man. His myriad musical activities include leading a Frank Zappa tribute band (Project Object), working as

30 Days Out: January 2020 #1: Interstellar Echoes, Cracker, Camper Van Beethoven, 3rd Annual Women in Music Series, Beach Fossils

For five and half years, I wrote a twice-monthly column for Asheville, N.C.’s superb altweekly Mountain Xpress. That column, “30 Days Out,” previewed upcoming live shows of note, focusing on both local/regional and nationally/internationally touring artists, across a (if I do say so myself) wide cross-section of musical styles. The column ended after more than