The premise alone is enough to set your head a-spinning. First, start with a bunch of sixties garage bands, the kind immortalized on the legendary Lenny Kaye-curated Nuggets album. Now flash forward to the 1980s and beyond, when a second wave of bands spring up in tribute to the garage/psych sound of yesteryear. Now flash
Continued from Part Two… Rudi Protrudi: We did a single in 1972 and our singer was very into Jethro Tull , and we did “Locomotive Breath” along with a lot of other stuff. He played flute, and he had the Ian Anderson thing down. Yeah, I like the song. And so when we started writing
Continued from Part One… Bill Kopp: Throughout The Fuzztones‘ history, you’ve again and again managed the tricky feat of writing new, original songs that fit the aesthetic of stuff from 1965-66. Is it a conscious effort to do that, or by now are you so immersed in the style that it just happens that way?
Since 1980, The Fuzztones have been leaders in keeping the garage rock flame alive. Originally based in New York City, the group – led by singer-guitarist Rudi Protrudi – eventually emigrated to Germany, where they believe they’ve found a more receptive audience. There’s been a fair amount of Fuzztones-related activity in recent years; among the
The concept of Illegitimate Spawn chases its own tail: an international compilation of unknown groups playing cover versions in tribute to The Fuzztones, a group who are themselves essentially a tribute to Nuggets-style 60s music; it’s certainly not for everyone. As an incurable addict of the melodic end of sixties fuzz-drenched garagepunk, I’m not sure
Now there’s a concept: take classic garage-punk songs from the 1960s (plus a fistful of Fuzztones originals) and put together new arrangements that add…wait for it…a horn section. No kidding. The Fuzztones have been at it for a long time, keeping the flames of 60s punk going. The hallmarks of that genre — snotty vocals,