frank zappa Archive

By the time of the release of Hot Rats, his second solo album, Frank Zappa was well established as an important force in pushing the boundaries of pop music. Not that much of what Zappa was doing could reasonably be termed “pop,” but his work flirted with the fringes of the pop world. The debut

Continued from Part One … While Dweezil Zappa‘s tour will include a few tracks from Via Zammata, most of each show will center around performances of Frank’s challenging material. And Dweezil’s band follows the late Zappa’s onstage approach of building improvisation into the songs. “That’s one of the unique things about Frank’s music,” Dweezil observes.

For an artist who seemingly documented nearly every moment of his live and studio performance – and, not unlike John Lennon and Yoko Ono, considered the entirety of it as a single body of work – the early work of Frank Zappa‘s Mothers (of Invention) was, surprisingly, not as extensively captured and saved as one

File next to: Frank Zappa, Primus, Tenacious D Today, Dweezil Zappa might sound like a chip off the old block, but it wasn’t always so. On his first release – 1982’s single “Crunchy Water” b/w “My Mother is a Space Cadet” – he sounded like a reasonably talented kid who owned some Van Halen records.

There’s no consensus among Frank Zappa fans as to which album is his “best.” But most will agree that the 1974 double-live LP Roxy & Elsewhere is a high point. Recorded in L.A. over three nights in December ’73, the album captured The Mothers’ unique mix of bizarre lyrics, astounding and intricate musical interplay, and