esperanza spalding Archive
In 2016 alone, I’ve interviewed more than 140 artists; that’s nearly half the number I interviewed in the decade prior to this year. I hope 2017 will be at least as busy; I find my conversations with creatives extremely rewarding. I’ve learned a few things along the way, and one of the most important realizations
There’s a bit of overlap where my best albums and best concerts of 2016 are concerned. And there are some old favorites, too. John Mayall Neighborhood Theatre, Charlotte NC March 11, 2016 It was only around this time that I pivoted to writing as a full-time job (in other words, how I make my living).
I’ve said it before, and in 2016 it’s true as ever: those people who complain that there’s no good music any more simply aren’t looking hard enough, or in the right places. I had no trouble coming up with a Top Ten Eleven list of new albums for 2016. I easily could have added many
Continued from Part One… Working with Tony Visconti In the music business, Tony Visconti is something of a household name. Since his start in 1968, Visconti has produced more than 120 albums for a wide variety of artists, including more than a dozen for David Bowie. He’s worked in a variety of musical genres, but
Note: portions of this feature appeared previously (and in different form) in altweeklies in Asheville NC, Chicago and Salt Lake City. — bk Cross-genre sensation Esperanza Spalding is something of an anomaly – albeit a welcome one – on today’s pop music landscape. A fine singer with an impressive range, she’s also a supremely accomplished