ecm Archive

David Torn: The Audience is Here (Part 2)

Continued from Part One… “So,” continues guitarist-composer David Torn, “I don’t intend to recreate any of the pieces on only sky in live performance. However, I can accurately recreate the process. Because,” he laughs, “I’m really good at over-intellectualizing anything I do, after the fact. But inside the fact, all I’m really doing…is playing.” “When

David Torn: The Audience is Here (Part 1)

As I would discover within the first moments of our conversation, it’s inaccurate to describe the music made by David Torn as “avant garde.” Which is fine, really, because as the ever-quotable John Lennon once said, “’Avant garde’ is French for ‘bullshit.’” And he would know. That does leave the challenge of describing Torn’s music,

Album Review: Jan Garbarek and The Hilliard Ensemble — Officium

This double-album – originally released in 1994 – is a transcendent, compelling work that combines jazz with choral/classical music. Featuring vocals sung in Latin by The Hilliard Ensemble (countertenor David James, tenor Rogers Covey-Crump, tenor John Potter, and baritone Gordon Jones), Officium is nearly an all-vocal album. But the haunting saxophone work of Jan Garbarek