dave brubeck Archive

Album Review: Dave Brubeck — Lullabies

If someone had asked me a few years ago if I thought I’d be writing a week’s worth of content in 2021 about Dave Brubeck, I would have shot them a quizzical look and responded along the lines of, “No, and why would you ask such a question?” As much an admirer as I am

Album Review: The Dave Brubeck Quartet — Time Outtakes

Released in 1959, The Dave Brubeck Quartet’s Time Out is a landmark album. An accomplished synthesis of West Coast and cool jazz, it’s remarkable for combining “unusual” time signatures – defined here as most anything beyond 3/4 and 4/4 – and musical accessibility. As has been documented many times before (and is vividly recounted in

The Chris Brubeck Interview, Part Four

Continued from Part Three. In this final part of my lively conversation with Chris Brubeck, he relates a funny story about an album he made many, many years ago with Larry Coryell. Again another tangent: I was just listening to a vinyl LP that I bought years ago called Better Than Live by Larry Coryell

The Chris Brubeck Interview, Part Three

Continued from Part Two. In Part Three of my conversation with Chris Brubeck, we talk about the idea of instrumental works still having subject matter, and the mystical communication that can exist between drummers and bassists. And somehow, something happened that I didn’t expect in a jazz interview: the conversation wandered into talking about King

The Chris Brubeck Interview, Part Two

Continued from Part One. In this segment of my conversation with Chris Brubeck, he reflects on what he learned from his famous father, and his rather unusual choice of instrument. What would you say are some of the most important musical values that you learned from your father? I think, like for me, it’s kind

The Chris Brubeck Interview, Part One

I spoke with Chris Brubeck in mid-February 2020; the primary reason for the interview was in connection with then-upcoming concert dates featuring the Brubeck Brothers Quartet. You can guess where this is going. We had a lengthy and lively conversation, one that moved into areas well beyond what the bassist and his drummer/brother Dan –

Album Review: Dave Brubeck — Time In

The opening solo piano strains of “Last Waltz,” the opening track on Dave Brubeck’s 1966 LP Time In are lovely enough. But they suggest that the album is going to be a somewhat staid, fussy and classically-leaning collection of songs. Certainly, there’s nothing wrong with that; Brubeck has always been a master of many styles.

The Very Best Of…Concord Jazz Artists

Because Concord Music Group has acquired the licensing to some of the most venerable labels in all of music (Stax, Fantasy, Riverside, Prestige, and others) as well as large chunks of the work of some of the world’s most important artists (Ray Charles and Frank Sinatra), they have – in addition to their excellent reissues

Album Review: Dave Brubeck – The Definitive Dave Brubeck on Fantasy, Concord Jazz, and Telarc

“Definitive” is a strong word. Not to belabor the obvious, but it means to define something; definitive means that the things affords an accurate representation of another thing. In this case, a new 2CD set from Concord Music Group sets of to define the recorded works of jazz pianist-bandleader Dave Brubeck as presented through his