cannonball adderley Archive

Liner Notes News

I’ve been extraordinarily busy lately. After devoting a large chunk of 2017 to the writing of my first book, Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon, in 2018 I’ve been focusing on writing liner note essays for albums. Here’s a summary of recent and upcoming releases with which I’ve

Best Music of 2016: Reissue/archival Releases

I love new music, but I’m also attuned to keeping up with the latest in reissues and archival releases. Sometimes those feature some of my favorite artists; other times they turn me on to music of the past that I’ve never even heard. In 2016 I’ve been able to select my Top Ten reissue and/or

Reviews: Five Limited-edition Vinyl Releases

Some recent vinyl releases are more than noteworthy. Herewith are looks at five of ’em. I’m pretty certain all are limited-edition pressings, so get them while they’re hot. Kenny Clarke et. al. – Bohemia After Dark Nominally a session led by drummer Kenny Clarke, this 1955 album is of great historical import as the recorded

Current and Coming Attractions, Spring 2016

I’ve been a busy boy lately, and not just as pertains to this blog. I’ve placed features in the Colorado Springs Independent; in addition to the weekly “Sound Advice” column I share with fellow critic Loring Wirbel, I write features for that altweekly. Those appear here two weeks after they run on csindy.com and in

Rick Wakeman, Cannonball Adderley, and Me

Today I’m going to indulge in a brief change of pace. I’d like to tell you about a pair of reissues with which I am involved. I won’t be reviewing either title – what would be the point? – but suffice to say that if I didn’t think they are superb albums, I wouldn’t have

August Jazz Roundup #2

The esteemed Concord Music Group continues its series of thoughtful reissues of jazz classics from its catalog holdings with five titles originally issued on the Riverside label. I covered Chet Baker Plays the Best of Lerner & Loewe back at the beginning of the month; here’s some quick looks at the other four in this

Album Review: Various Artists — The Birth of Soul Jazz

Early on into my jazz odyssey* of discovery, I found that although I very much enjoyed bop, swing, free and fusion, the style of jazz that resonated most for me was soul jazz. In my unschooled manner, I tried to articulate what exactly it was about soul jazz that made it work for me in

Old (But Previously Unreleased) Jazz, New Vinyl

Recently, I devoted an entire week’s worth of coverage to vinyl releases. But as it turns out, a clutch of recent jazz releases on the new-but-already-venerable Jazzhaus label are also available on vinyl. The full review of two of these new albums of music from Zoot Sims, Dizzy Gillespie and my personal favorite Cannonball Adderley

The Very Best Of…Concord Jazz Artists

Because Concord Music Group has acquired the licensing to some of the most venerable labels in all of music (Stax, Fantasy, Riverside, Prestige, and others) as well as large chunks of the work of some of the world’s most important artists (Ray Charles and Frank Sinatra), they have – in addition to their excellent reissues