anton barbeau Archive
I’m determined to keep my backlog of music-for-review to a manageable size. Making that happen means that once again it’s time for ten of my quickie reviews. So off we go. These are all new or very recent titles of new music. Girls on Grass – Dirty Power I really like this record. Right off
Now and then I receive an EP or even a single for potential review. In general those don’t make the cut, as I prefer to write about full-length albums that provide a fuller picture of an artist’s work. But when a short-form release rises to the level of something special, I’m happy to cover it.
File next to: Sloan, Matthew Sweet Based in the redwoods of Northern California, Allen Clapp‘s Mystery Lawn Music has in recent years become a trademark of pop music quality. Originally formed as a vehicle to self-release 20/20 – perhaps the best album by his group the Orange Peels – Clapp’s label has become a collective
File next to: Anton Barbeau, Corner Laughers Pop music has long featured engaging artists who don’t write their own material. Going back to perhaps the greatest of them all, Frank Sinatra never wrote a song in his life. Linda Ronstadt‘s long and successful career was built in large part upon her canny choice of material.
Often swimming in the quirkier end of the power pop pool, the prolific Anton Barbeau most recently made a pair of albums fronting Three Minute Tease; there he applied his own personal spin to the music, bending the sound made by Robyn Hitchcock‘s former band mates (Andy Metcalfe, Morris Windsor) toward his own unique aesthetic.
To date, I’ve had the honor and pleasure of conducting more than 250 interviews. This year alone I did nearly fifty. And while it’s risky to pick favorites – I can honestly say that I’ve enjoyed every single one – a few stand out from the rest. Here are five of ’em. Anton Barbeau I’d
Continued from Part Two… Anton Barbeau feels similarly about progressive rock. “At one point, I decided, ‘Oh, I don’t like that stuff at all.’ But not long ago on one of the XTC [online] forums, people were debating how much of a prog band XTC was.” He continued, “And I see it now, even though
Continued from Part One… Once Anton Barbeau realized that the new album wouldn’t be a Three Minute Tease project, he “started looking around for other ways of doing it. I was back in Sacramento, and I had always had musician friends there. So I called some of them up. And,” he added, “that’s normal for
From my point of view, it’s a strange world in which a recording artist can craft highly melodic, accessible tunes, release a long string of consistently well-regarded albums, and still go largely unnoticed in the commercial marketplace. But of course, such circumstances happen all the time. Even if one allows for the lack of commercial
I’m on my honeymoon this week, so I thought it would be a good time to offer up some backlog-clearing entries in my occasional series of Hundred Word Reviews. And though the musical styles are all over the map, there’s a theme of sorts this time: each of the acts reviewed has been covered previously,