Delbert McClinton: Keeper of the Flame (Part One)

The term Americana hadn’t been coined when Delbert McClinton started making music. His brand of music has always drawn from blues, hillbilly, country, and rock ‘n’ roll, all filtered through a Texas sensibility. McClinton came up in a music scene that gave rise to legends like Doug Sahm, and in his earliest days he backed

Album Review: Tin Roof Echo — Remember Every Moment

Tin Roof Echo is the one-man “bedroom folk” product of Joe Hooten, though the multi-instrumentalist goes to some length to keep his real name off of his work. That’s puzzling, as the music is of a consistently high quality. Hooten seems to sell himself a bit short on occasion: though he’s an avowed R.E.M. fetishist,

Marshall Crenshaw Sets Aside Recording to Focus on Live Dates, Film Project

Marshall Crenshaw burst onto the national music scene in 1982 with his self-titled debut album and its irresistible single, “Someday, Someway.” Though both the album and single charted, Crenshaw’s brand of melodic, classic pop would never again experience sales figures comparable to those releases. But the quality of his subsequent work speaks for itself: across

A Holiday Treat for Musoscribe Readers

‘Tis the season for … a bonus weekend post. I almost never post features or reviews on a Saturday, but these two titles warrant the exception. Plus, if I wait until I have an open weekday, you won’t read about this until late February 2017. Some people simply detest holiday music. I grew up in

Album Mini-review: Coastgaard — Devil on the Balcony

(The following was originally published by the San Diego Reader.) Though Coastgaard build their music on a foundation of surf rock, their approach is quite some distance from that of surf revivalists like Los Straitjackets. There’s an upbeat, playful aesthetic at work on the group’s second album, Devil on the Balcony, one that places them

November 100-word Reviews, Part 4

My roundup of worthy albums that deserve coverage continues with five more hundred-word reviews. Each of these deserves deeper coverage, but “so much music, so little time.” Dig ’em all. Jinx Jones – Twang-Tastic! The vibe here: Link Wray meets Brian Setzer, with a bit of The Cramps and Los Straitjackets thrown in for good

Album Review: The Fad — The Now Sound

If you lived through the early 1980s in the United States – and were old enough to be at least somewhat plugged in to popular culture – you were aware of the proliferation of “new wave” groups. Many of these acts traded in a style of music that drew inspiration from the pre-“rock star” era,

Best of 2013: Concerts

I had the pleasure of attending more live music shows this year than I could count. A lot. Really. These were my favorites. Click on the titles for a full review/feature. Cody ChesnuTT Owing to my schedule, I passed the interview duties for this one on to my daughter, an able writer/journalist in her own

Coming Attractions

Here at Musoscribe World HQ, things are even busier than usual. The backlog of content I plan to provide gets bigger and bigger every day. And while today’s post does absolutely nothing to relieve the pressure of said backlog, here ya go anyway: a quick look at what I have in the hopper for readers.

It’s a Mondo Zombie Boogaloo!

It’s one thing to make good music. A challenging thing, not to be taken for granted, but as far as live performance goes, ultimately it’s only one part of the mix. Another thing is to put on a good show. Some artists do that without getting the first part of the equation (Gene Simmons, I’m