Soul Stalwart: Sidney Barnes (Part 4)

Continued from Part Three… Barnes went on the road with Deniece Williams, too, and sang the male part of the Williams-Johnny Mathis duet, “Too Much, Too Little, Too Late.” Initially, he did his part from backstage, but headliner Lou Rawls insisted he come out and sing at center stage with Williams. “Plus,” Rawls told him,

Soul Stalwart: Sidney Barnes (Part 3)

Continued from Part Two… Jackson got a deal that saw him relocating briefly to London, so he and Barnes parted ways. Around that time Barnes got a call from George Clinton, then with Golden World Records in Detroit. “I was missing working with him and he was missing working with me,” Barnes says. “We were

Soul Stalwart: Sidney Barnes (Part 2)

Continued from Part One… The group with Barnes and Feemster cut a demo recording “I spent $10 to make it,” Barnes says. He played it for one of the members of Little Anthony’s group, who loved it. They rehearsed with Anthony, and were heard by talent scout William Parker. Parker got the group an audition

Soul Stalwart: Sidney Barnes (Part 1)

Sidney Barnes’ early recordings and songwriting efforts are prized by aficionados of Northern soul. But that music represents only a fraction of his massive body of work. Barnes has had a career spanning more than five decades, and he’s worked extensively in a dizzying variety of genres: doo-wop, soul, rhythm and blues, blues, jazz, funk,

Album Review: Jean-Michel Bernard Plays Lalo Schifrin

Viewers of American film and television in the late ’60s and early 1970s were weaned on a steady diet of jazz, though they might not have noticed it happening. Especially in the action and crime drama genres, jazz (or jazz-flavored) music was often a foundation of the programs’ soundtrack. And no composer’s work more exemplifies

EP Review: Ferentz and the Felons – Hudson County

Back in my day, EP was the designation for an extended play 45rpm record. In this context” extended” meant that the record had more than the standard two songs. Usually there were four, as on The Beatles (No. 1), released in November 1963. Clearly things changed while I wasn’t paying attention, because Ferentz and the

Album Review: Ryan Hutchens – The Last Ten Years

It’s interesting to learn than an artist is moved to creativity by spending time in Columbia, South Carolina. I know that every place has its charms – even Houston, Texas, or so I am told – but I’ve spent time in Columbia, and I don’t see it. The city’s fathers and mothers have gone so

Hendersonville Chamber Music

Hendersonville Chamber Music got its start about 10-12 years ago; the non-profit group is an offshoot of the Swannannoa Chamber Music Festival. From the beginning, events routinely drew 75 to 100 people, says the group’s director, Howard Bakken. But for many years the group kept a relatively low profile. “I’ve been in Hendersonville for years,”

San Jose Winter Jazz Fest 2018

The 2018 edition of the popular San Jose Jazz Fest took place February 15-28. Here’s a rundown of some of the most interesting acts who were on the bill. Ronnie Foster Trio  – Organist Foster released a string of well-regarded soul-jazz albums on Blue Note and Columbia in the 1970s. His 1972 debut, The Two

Album Review: Stax Singles Vol. 4: Rarities & the Best of the Rest

Beginning in the early 1990s, the labels owning the Stax/Volt catalog set about releasing impressive box sets of classic material from the venerated yet ultimately troubled Memphis record label. 1991 saw the release of the large format nine-volume box set The Complete Stax/Volt Singles 1959-1968. Two years later, another nine-disc set was released; subtitled Volume