Derek Trucks: No Ceiling in Sight (Part 3 / conclusion)

Continued from Part Two… Bill Kopp: I notice the collaborative nature of the songwriter credits on TTB albums. How does songwriting work in the band? Derek Trucks: This record went a lot of different ways, and it never felt forced. For the songs that Doyle Bramhall II and I wrote together, it would be the

Derek Trucks: No Ceiling in Sight (Part 2)

Continued from Part One… Bill Kopp: Your name routinely shows up on “best guitarists” lists. Do you get any satisfaction from that, or is it wholly irrelevant to what you do? Derek Trucks: I remember when the Rolling Stone list came out and I made the list; it was fully unexpected. Part of me was

Derek Trucks: No Ceiling in Sight (Part 1)

The nephew of Allman Brothers Band drummer and founding member Butch Trucks, guitarist Derek Trucks was a musical prodigy. He started playing gigs before he reached his teens; by 13 he had toured. By 17 he formed The Derek Trucks Band. At age 20 he became an official member of The Allman Brothers Band, remaining

Reviews: Five Limited-edition Vinyl Releases

Some recent vinyl releases are more than noteworthy. Herewith are looks at five of ’em. I’m pretty certain all are limited-edition pressings, so get them while they’re hot. Kenny Clarke et. al. – Bohemia After Dark Nominally a session led by drummer Kenny Clarke, this 1955 album is of great historical import as the recorded

A Conversation with Sonny Rollins, Part 4 (conclusion)

Continued from Part Three … Bill Kopp: You mentioned about overdubbing and multi tracking. If I recall, in the late ’60s and early ’70s Miles Davis and his producer Teo Macero would often build entire tracks out of a little bit from here, a little bit from there. They would piece it together afterwards so

A Conversation with Sonny Rollins, Part 3

Continued from Part Two … Bill Kopp: Like much of your work, Holding the Stage features your original compositions along with readings of standards. When you’re composing music, do you come up with a melodic line for the head and then build a song around that, or do you use some other approach? Sonny Rollins:

A Conversation with Sonny Rollins, Part 2

Continued from Part One … Bill Kopp: To your knowledge, have pieces from your back catalog been sampled by hip hop artists? Do you get compensated for that? Sonny Rollins: I have had some songs being sampled but I don’t get any … I don’t know if it’s a large amount and if it produces

A Conversation with Sonny Rollins, Part 1

Among jazz fans, Sonny Rollins needs no introduction. For everyone else, here’s a quick thumbnail bio. Born in New York City in 1930, Rollins began his career as a tenor jazz saxophonist in the 1940s. A contemporary of many jazz greats including Miles Davis, Charlie Parker and Thelonious Monk – all of with whom he

The Mystery Lights: Straight Outta the Garage

While some of the harder, more jagged sub-styles of 1960s rock are now justly celebrated, back in the day many of those groups languished in obscurity; the popularity of Nuggets and similarly-themed compilations belies the reality that – on initial release – garage rock didn’t often sell in large quantities. For every “96 Tears,” there

Quilt: A Collective of Individuals

Though the group has released three albums since 2011, Quilt has been together since late 2008. Formed in Boston by Shane Butler and Anna Fox Rochinski – then students at the School of the Museum of Fine Arts – the group grew out of the city’s do-it-yourself musical scene. “There was a very free-form DIY