powerpop Archive

I’m in the Fan Club: A Conversation with Jellyfish’s Roger Manning, Part Two

Continued from Part One… Bill Kopp: I remember one of those live-in-the-studio sessions you did back around the time of the second album. It was for 99X, a radio station in Atlanta (WNNX-FM). The thing I remember most from the interview part of that session – and I don’t know if it was you or

I’m in the Fan Club: A Conversation with Jellyfish’s Roger Manning, Part One

Jellyfish was one of the great bands of the early 90s. At a time when pop music had lost its way – or at least moved away from the things that made it such a culturally vital part of previous times (most notably the 70s), the Jellyfish approach celebrated the bombast and excess of rock/pop,

Interview: Dūrocs’ Scott Mathews and Ron Nagle, Part Five

Bill Kopp: How did you come to have Elliot Mazer co-produce? Did you pick him or did Capitol say, “Here’s the guy.” And how do you think his presence affected the nature of the final product? Scott Mathews: He was in San Francisco, and he had a studio. He let us come in and do

Interview: Dūrocs’ Scott Mathews and Ron Nagle, Part Four

Bill Kopp: There was no Dūrocs II. Was your deal with Capitol a one-off or were you dropped? Ron Nagle: I don’t even remember how we were informed. I think it was some sort of Dear John letter. Scott Mathews: Clearly, it was a two-way street. After we had that meeting with Bobby Colomby, there

Interview: Dūrocs’ Scott Mathews and Ron Nagle, Part Three

Bill Kopp: So you guys were originally signed by A&M, but – as I understand it – that was around the time that A&M figured out it didn’t know what to do with rock bands, especially unusual, hard-to-pigeonhole ones. The Tubes got dropped after doing arguably their best albums for the label – Remote Control

Interview: Dūrocs’ Scott Mathews and Ron Nagle, Part Two

Scott Mathews: [The music on Dūrocs] does run the gamut. You’ve got songs like “No Fool No Fun,” and other songs we wrote from the deepest of our hearts, in a melancholy sort of way. Like “One Day at a Time”… Ron Nagle: And “Don’t Let the Dream Die.” Another thing, to give you some

Interview: Dūrocs’ Scott Mathews and Ron Nagle, Part One

File Dūrocs under Records You Probably Never Heard. Released in 1979 to critical plaudits but commercial indifference, the sole album from the “group” of the same name quickly went the way of the cutout bin. But the music therein was more deeply-layered than one might expect. While the music – the instrumentation and arrangement –

Album Review: Shoes – 35 Years: The Definitive Shoes Collection 1977-2012

As Shoes bassist John Murphy told me in our wide-ranging four-part interview, the new 21-cut compilation on Real Gone Music, 35 Years: The Definitive Shoes Collection 1977-2012 is “is a sort of Part Two to Shoes Best,” the 1987 collection released on Shoes’ own Black Vinyl Records. That’s about right; assuming one doesn’t plan to

A Really Big Shoes Interview, Part 4

Continued from Part Three… Bill Kopp: So Ignition is the first new Shoes album in 17 years. It’s an obvious question, but why so long? John Murphy (bass/vocals): It sounds terrible: eighteen years. And of course there was never any grand plan. I think, when I look back at what was happening in the late

A Really Big Shoes Interview, Part 3

Continued from Part Two… Bill Kopp: I think Shoes fans – especially ones outside the Midwest – think of you more as a studio band. Why don’t you play out more, or tour? John Murphy (bass/vocals): Going back to Elektra again, the labels in those days didn’t have much to do with a band’s live