powerpop Archive

Boots by George Harrison, Hair by Robert Smith: The Posies Interview, Part Five

Continued from Part Four… Bill Kopp: For a lot of people, myself included, Dear 23 and/or Frosting on the Beater are cited as the best Posies work. With Amazing Disgrace, you went in a much harder rocking direction. There wasn’t really anything on Failure that sort of hinted at that sort of future. Was the

Boots by George Harrison, Hair by Robert Smith: The Posies Interview, Part Four

Continued from Part Three… Bill Kopp: There’s a track of yours on Yellow Pills Volume 2, “Saying Sorry to Myself.” To my ears it has all the hallmarks of the first album. I like the way you take a bit of the lyric of “The Ballad of John and Yoko” and stand it on its

Boots by George Harrison, Hair by Robert Smith: The Posies Interview, Part Three

Continued from Part Two… Ken Stringfellow: Listening to Failure, it would be hard to tell what we were listening to. Because the album has a very sixties vibe to it, kind of like if some sixties beat group moved to California. But I can give you a breakdown that will show you where some of

Boots by George Harrison, Hair by Robert Smith: The Posies Interview, Part Two

Continued from Part One… Bill Kopp: I thought it was a nice bit of contextualization to include Veronika Kalmar‘s snarky and negative review in the liner notes of the Failure reissue. It might be tough for you to cast your minds back to that time, but how did you react when you first read it

Boots by George Harrison, Hair by Robert Smith: The Posies Interview, Part One

While grunge or alternative might be the first rock genres that spring to mind when one thinks of the 1990s, an unlikely group from the Pacific Northwest had already gained a foothold – both commercially and critically – with their brand of melodic guitar-based pop. The Posies – eventually a band, but originally just a

Everything Comes Together: The Paul & John Interview, Part Three

Continued from Part Two… The album that would become Inner Sunset was announced in 2013, but the project’s gestation was a lengthy process, especially when compared to the quick, DIY measure employed by most other artists on the Mystery Lawn label. “Several factors contributed to the album taking so long to come out,” John Moremen

Everything Comes Together: The Paul & John Interview, Part Two

Continued from Part One… Speaking of the process of songwriting, the songs on The Paul & John‘s Inner Sunset are truly the product of a collaborative approach between Paul Myers and John Moremen. “When we originally started working on The Paul & John stuff, Paul was writing lyrics for some of my music,” explains Moremen.

Everything Comes Together: The Paul & John Interview, Part One

Music lovers who appreciate highly melodic and memorable rock-based songs – the kind of instantly hummable tunes that stick in your head long after the song is over – should take heart: though the style (however you might label it) doesn’t top the music 2014 charts, the style is far from moribund. In fact, San

Album Review: Sloan — Commonwealth

Rock fans who fall into a certain age bracket may recall the buzz around the release of Liz Phair‘s major-label debut, 1993’s Exile in Guyville. As the popular story went, the album was a track-by-track feminist response to The Rolling Stones‘ 1972 double LP Exile on Main Street. Or something like that; on close examination,

Album Review: The Legal Matters

My friend Bruce Brodeen occasionally endures some good-natured ribbing for those mini-reviews he penned in his NotLame mail order catalogs of the 90s. If you viewed his writing a certain way, it seemed like he thought everything was great. But I’m reminded of the (possibly apocryphal) conversation between a fan and Raymond Burr of TV’s