powerpop Archive

Best of 2014: Concerts

One of the many pleasures associated with living in the small mountain city of Asheville NC is access to great live music. I grew up in the 70s and 80s in Atlanta, where going to a concert often meant traveling to a sports arena, and watching the tiny performers from the nosebleed seats (where you’d

Album Review: A Kool Kat Kristmas, Vol. 2

It’s that time of year again. In the USA, at least, the days after Thanksgiving is the unofficial kickoff of the Christmas season. And every year about this time, I find at least one Holiday-themed CD in my inbox. This year the disc of note is A Kool Kat Kristmas, a thirteen-track compilation of Christmas-themed

A Thanksgiving Feast of Mini-reviews

Customarily, I take Thanksgiving Day off from posting to the blog (it’s one of very few days in which I do that). In fact I generally write the pieces days in advance, so trust me: I am taking today off with family. But for anyone who tunes in today or after, I present a few

November Hundred-word Reviews, Part 5

Once again, it’s time for a run of hundred-word reviews. My inbox has been overflowing of late, and even after removing the material that I deem not worth my time (nor yours), I’m left with far too many discs to cover in my customary manner (500-800 word reviews). So herewith are twenty-five – count ’em,

Big Star Lives! with “Live in Memphis” (Part 2)

Continued from Part One… As Jon Auer pointed out in metaphor form during our conversation, speaking of Big Star in a slightly different context, “You can write the greatest letter in the world to someone, but if the postman loses it, or doesn’t deliver it, and no one ever gets it, no one’s gonna know

Big Star Lives! with “Live in Memphis” (Part 1)

The story of Big Star – a band once so obscure, only critics, musicians and a small handful of in-the-know fans even knew of their brief existence – has now passed into popular culture. I’ve always considered myself a hardcore fan of their general style of music: back in the early- to mid-1970s, I was

Honeymoon Hundred-word Reviews, Part 2

I’m on my honeymoon this week, so I thought it would be a good time to offer up some backlog-clearing entries in my occasional series of Hundred Word Reviews. And though the musical styles are all over the map, there’s a theme of sorts this time: each of the acts reviewed has been covered previously,

Boots by George Harrison, Hair by Robert Smith: The Posies Interview, Part Five

Continued from Part Four… Bill Kopp: For a lot of people, myself included, Dear 23 and/or Frosting on the Beater are cited as the best Posies work. With Amazing Disgrace, you went in a much harder rocking direction. There wasn’t really anything on Failure that sort of hinted at that sort of future. Was the

Boots by George Harrison, Hair by Robert Smith: The Posies Interview, Part Four

Continued from Part Three… Bill Kopp: There’s a track of yours on Yellow Pills Volume 2, “Saying Sorry to Myself.” To my ears it has all the hallmarks of the first album. I like the way you take a bit of the lyric of “The Ballad of John and Yoko” and stand it on its

Boots by George Harrison, Hair by Robert Smith: The Posies Interview, Part Three

Continued from Part Two… Ken Stringfellow: Listening to Failure, it would be hard to tell what we were listening to. Because the album has a very sixties vibe to it, kind of like if some sixties beat group moved to California. But I can give you a breakdown that will show you where some of