funk Archive

Purple Image: Funk-Psych Lost and Found, Part Two

Continued from Part One… First setting up in Adams’s basement, the new group began work. To insulate the sound and avoid annoying the neighbors, Adams says, “I put out an edict that each member bring a mattress. We had eight mattresses on the walls and windows.” They worked collaboratively to develop a full arrangement of

Purple Image: Funk-Psych Lost and Found, Part One

The late 1960s and early ‘70s provided inspiration for young musicians around the globe. In the wake of the success of bands like the Beatles and Rolling Stones – and literally hundreds of others – the idea that one could make one’s own original music and bring it to a receptive audience took hold nearly

Hundred-word Reviews, March 2019 Part One

I can’t point to specific reasons as to why this is the case, but in recent months there has been more than the typical amount of really good music finding its way onto my desk here at Musoscribe World Headquarters. What that means, of course, is that it’s time once again for a clutch of

Album Review: STIG — Agreed Upon

Some artists play music that – if one wishes to label it – requires several words to describe. Formed by five students at Boston’s Berklee College of Music, STIG (the band spells its name in all caps) self-identifies as an “all-instrumental progressive jazz funk” band. In a hurry, some might be tempted to label the

Hundred-word Reviews, December 2018

This will almost certainly be my last roundup of new releases – capsule review style – for 2018. Lots of great music came out this year; don’t let anyone tell you differently. As always, each of these albums deserves more coverage than I’m able to give here, and each warrants a spin (at least) by

Fantastic Negrito: We Can Turn It Around (Part 4 / conclusion)

Continued from Part Three… And even though Fantastic Negrito is now a high-profile Grammy-winning performer and recording artist, he still feels and maintains a close connection to that neighborhood. “The people I started my collective label [Blackball Universe] with, they’re all guys I grew up with,” he says. “We did everything – committed crimes and

Fantastic Negrito: We Can Turn It Around (Part 3)

Continued from Part Two… The production on The Last Days of Oakland is “boxy,” and Xavier says that that quality is a deliberate aesthetic choice. “I wanted it to feel like I’m sitting right in someone’s living room,” he says. And I tried to minimize production; I was really going for a sense of urgency,

Fantastic Negrito: We Can Turn It Around (Part 2)

Continued from Part One… A 2014 EP titled Fantastic Negrito debuted Xavier’s new approach. Ostensibly blues, the five-song EP draws from a wider array of influences. Released to enthusiastic critical notices, the EP created a buzz but didn’t break through on a large scale. Undaunted and sure of his musical direction, Xavier created a low-budget

Fantastic Negrito: We Can Turn It Around (Part 1)

(An edited version of this feature appeared in print in Living Blues Magazine.) All photos © Audrey Hermon Kopp Fantastic Negrito is a a lot of things. On the surface, he’s a stage persona, the human means of delivery for songs that chronicle the realities of life. But dig deeper and you’ll find Xavier Dhphrepaulezz,

Fifty-word Reviews for July 2018, Part 1

For years now, I’ve engaged in an occasional series of reviews in which I limit myself to 100 words. The point isn’t at all to give short shrift to these fine releases; instead, it’s to cover albums that would otherwise go unmentioned only for lack of time. Speaking of time, all of these releases are