blues Archive

Album Review: John Mayall — Nobody Told Me

In the 1960s when a wider audience of white listeners embarked upon a belated discovery of the blues, it was thanks in no small part to the championing of the blues form by British musicians. The Rolling Stones, the Animals and the Yardbirds all made a point of acknowledging their African-American musical forbears. But the

Hundred-word Reviews, March 2019 Part Two

Yesterday I covered ten albums in 1000 words. Today I’ll do the same. All titles are new or recent releases. Shumaun – One Day Closer to Yesterday I love me some atmospheric, progressive leaning and ambitious music. And that’s what’s on offer within One Day Closer to Yesterday. The music has hints of Pink Floyd,

Album Review: Vince Junior Band — Refreshingly Soulful Blues

On one hand, Refreshingly Soulful Blues is a mightily odd title to give to an album; it reads more like sales copy or a review than a proper title. From the standpoint of truth in labeling, it does better, earning a 67% rating or better (refreshing, yes; soulful, yes; blues, sort of but not really).

Hundred-word Reviews for February 2019

I’ve been doing these hundred-word reviews for many years now; they’re a handy way to communicate my enthusiasm for new and newly-reissued albums without taking the time for a deep-dive critical assessment. Here’s my second installment for 2019, featuring five new titles along with five reissue, compilation and/or archival releases. Divine Weeks – We’re All

Album Review: Larkin Poe — Venom & Faith

On KIN, their 2014 debut as Larkin Poe, sisters Megan and Rebecca Lovell debuted a modern roots style that owed a debt to blues but didn’t fit comfortably into the admittedly wide framework of the genre. Stinging slide guitars provided a sonic connection to the tradition of classic electric blues, but songs like “Jailbreak” had

Video Roundup 2018

Covering DVDs and Blu-Rays takes more time than reviewing albums; I have to set up in my living room, with a recliner, a couple of cats and (generally) a good Scotch In order to do so. So with a general yet heartfelt apology for the delayed nature thereof, here’s my take on five titles released

Album Review: Cedric Burnside — Benton County Relic

As the grandson of famed bluesman R.L. Burnside, multi-instrumentalist Cedric Burnside has quite a legacy to live up to. But as a three-time winner of Drummer of the Year at the Memphis Blues Awards, he’s his own man. And his 2015 album Descendants of Hill Country earned him a Grammy Nomination. But all along he

Holly Golightly: The Country-punk-blues One-take wonder

British-born Holly Golightly was an important part of the UK garage-punk scene of the 1990s. Today her music effectively combines that foundation with a sound that draws equally from classic American country and western music. Her latest album, Clippety Clop, was created in her well-established way: working with life-and-music partner Lawyer Dave, Golightly recorded the

Todd Cecil: Have a Cigar

Cigar box guitars are very much in vogue now; it’s not at all unusual to see a nationally touring act take the stage with a hand-fashioned instrument featuring a body made from a wooden cigar box. But the instrument favored by Todd Cecil is quite a bit more exotic than most. “That’s the Lowebow,” he

Hundred-word Reviews, November 2018 Part 2

Here we go: even more hundred-word reviews. All new or recent releases, all worth a listen. RC & the Moonpie Band – All This I love me some rock ‘n’ roll. And I like (and occasionally love) the blues. What I enjoy far less often is the point on the Venn Diagram in which the