Single Review: The Embryos — Singles Club Volume 2
I was already predisposed toward liking this 45 before I heard it; The Embryos’ Open the Kimono (reviewed a few months back) is an instantly likable collection of chiming, catchy pop-rock. “Popular Character” has shades of Raspberries, Pilot and Matthew Sweet. So yeah, it falls loosely into the popwerpop subcategory. But if that’s not your preferred genre, don’t let the label dissuade you form cheking it out. The a-side has a memorable melody and a (very) short guitar solo, two of the necessary ingredients for a single (in my book, at least). The flip is “The City is Mine,” and it sounds like a b-side: moody, ever so slightly less in keeping with the group’s signature sound. It’s a gentle, contemplative song that simmers. Guest vocalist Shannon Roberts provides vocal support. There’s a vaguely 1967 sunshine pop feel to the tune. And while it’s an outlier in terms of the Embryos’ material, “The City is Mine” is Exhibit A in the argument that this is one versatile band whose musical vision extends beyond the confines of a certain oft-maligned genre.
About the Author
With a background in marketing and advertising, Bill Kopp got his professional start writing for Trouser Press. After a stint as Editor-in-chief for a national music magazine, Bill launched Musoscribe in 2009, and has published new content every business day since then (and every single day since 2018). The 4000-plus interviews, essays, and reviews on Musoscribe reflect Bill's keen interest in American musical forms, most notably rock, jazz, and soul. His work features a special emphasis on reissues and vinyl. Bill's work also appears in many other outlets both online and in print. He regularly hosts lecture/discussions on artists and albums of historical importance (including monthly events Music to Your Ears and Music Movie Mondays), and is a frequent guest on music-focused radio programs and podcasts. In Spring 2023 he is co-teaching a history of Rock 'n' Roll at UNC Asheville's College for Seniors. He also researches and authors liner notes for album reissues -- more than 30 to date -- and co-produced a reissue of jazz legend Julian "Cannonball" Adderley's final album. His first book, Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon was published by Rowman & Littlefield in 2018, and in paperback in 2019. His second book, Disturbing the Peace: 415 Records and the Rise of New Wave, was published in 2021 by HoZac Books. His third book, What's the Big Idea: 40 Great Concept Albums will be published in 2024. Read even more about him here.