Album Mini-review: The Feelies — In Between
File next to: Violent Femmes, Velvet Underground
The choice of production aesthetic is everything on In Between, the Feelies‘ 6th album (and their second since ending their nearly two-decade hiatus). A deliberately quiet album, In Between favors acoustic guitars over electric; wood-block percussion over splashy cymbals, and hushed, breathy vocals. The net effect of those choices is an album that requires – or at least invites – close listening. Everything sounds is if it was recorded in someone’s bedroom, and if someone was chatting down the hall, they’d be louder than the music. The good news is that close listening is rewarded; the hooks and melodies are in there; one simply needs to pay attention to find them. Feelies fans who enjoyed the group’s 1980s releases might be underwhelmed by the seeming lack of energy on this record, but it’s certainly of a piece with the band’s recent efforts.
About the Author
Bill Kopp
With a background in marketing and advertising, Bill Kopp got his professional start writing for Trouser Press. After a stint as Editor-in-chief for a national music magazine, Bill launched Musoscribe in 2009, and has published new content every business day since then (and every single day since 2018). The 4000-plus interviews, essays, and reviews on Musoscribe reflect Bill's keen interest in American musical forms, most notably rock, jazz, and soul. His work features a special emphasis on reissues and vinyl. Bill's work also appears in many other outlets both online and in print. He also researches and authors liner notes for album reissues -- more than 30 to date -- and co-produced a reissue of jazz legend Julian "Cannonball" Adderley's final album. His first book, Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon was published by Rowman & Littlefield in 2018, and in paperback in 2019. His second book, Disturbing the Peace: 415 Records and the Rise of New Wave, is available now from HoZac Books.