Album Review: Field Trip — Horror Vacui
File next to: Flaming Lips, Beach House, Roxy Music
Lush aural textures and inviting melodies are the hallmarks of the digital-only debut album from this NYC five-piece band. Gauzy production that occasionally recalls Psycho Candy-era Jesus and Mary Chain is applied to songs that have more than their fair share of hooks. The seven songs on Horror Vacui are mostly awash in synthesizer textures and effects, but those sonic qualities are employed as integral components of the songs themselves, never as mere filigree. Touches of industrial music – like the faraway atmospherics and percussion on the first minute or so of “Vacui 95” give the album a dreamy feel, but those happily give way to reveal hypnotic, alluring melodies. Bits of found sound and dissonance only add to the record’s appeal. Sometimes the arrangements are so dense as to make picking out individual instruments a difficult task, but the songs always shine through.
About the Author
Bill Kopp
With a background in marketing and advertising, Bill Kopp got his professional start writing for Trouser Press. After a stint as Editor-in-chief for a national music magazine, Bill launched Musoscribe in 2009, and has published new content every business day since then. The interviews, essays, and reviews on Musoscribe reflect Bill's keen interest in American musical forms, most notably rock, jazz, and soul. His work features a special emphasis on reissues and vinyl. Bill's work also appears in many other outlets both online and in print. He also researches and authors liner notes for album reissues, and co-produced a reissue of jazz legend Julian "Cannonball" Adderley's final album. His first book, Reinventing Pink Floyd, will be published by Rowman & Littlefield in 2018.