Album Mini-review: The Legal Matters — Conrad
File next to: Wings, Lannie Flowers
Power pop is the Rodney Dangerfield of the rock world: it gets no respect. Detractors call it shamelessly derivative and lightweight. Those who have a soft spot for the subgenre, on the other hand, appreciate the chiming, sticky-sweet melodies and sharp hooks. Michigan’s the Legal Matters – a trio featuring Keith Klingensmith, Chris Richard and former Verve Pipe guitarist Andy Reed – self-released a fine eponymous debut in 2014; it gained the attention of Omnivore Recordings, who promptly signed the band. Reed’s high voice (with able harmony vocal support from his band mates) contrasts nicely with the McCartney-esque “I’m Sorry Love.” The occasional melancholy minor-key outing such as “More Birds Less Bees” contrasts with the preponderance of upbeat (yet midtempo) songs. Klingensmith only gets one writing credit (“Pull My String”) but it’s one of the best tunes on a strong album.
About the Author
Bill Kopp
With a background in marketing and advertising, Bill Kopp got his professional start writing for Trouser Press. After a stint as Editor-in-chief for a national music magazine, Bill launched Musoscribe in 2009, and has published new content every business day since then (and every single day since 2018). The interviews, essays, and reviews on Musoscribe reflect Bill's keen interest in American musical forms, most notably rock, jazz, and soul. His work features a special emphasis on reissues and vinyl. Bill's work also appears in many other outlets both online and in print. He also researches and authors liner notes for album reissues -- more than 30 to date -- and co-produced a reissue of jazz legend Julian "Cannonball" Adderley's final album. His first book, Reinventing Pink Floyd was published by Rowman & Littlefield in 2018, and in paperback in 2019. His second book, Disturbing the Peace: 415 Records and the Rise of New Wave, will be published in 2021 by HoZac Books.