Album Mini-review: Motobunny — Motobunny
File next to: The Bangles, Amboy Dukes, Joan Jett
It’s quite a tightrope walk to create music that rocks hard – really hard – yet maintains a strong, hooky, singalong kind of vibe. Motobunny manages it; fronted by two women and with a three-man backline, the group combines the sneering energy of Detroit rock (Stooges, MC5) with the bouncy pop of Katrina & the Waves and The Go-Go’s. Crunchy power chords, deep riffs and Bonham-level hits on the drumheads propel singalong melodies with solid vocal harmonies. All five members have extensive pedigrees that help explain the influence of wildly disparate musical styles, but the fact that it all works together so well can only be put down to chemistry. It’s not overstating the case to suggest that Motobunny could reveal themselves to be that rarest of acts: all things to all people (or at least people who appreciate a near-perfect mix of solid rock and melodic pop).
About the Author
Bill Kopp
With a background in marketing and advertising, Bill Kopp got his professional start writing for Trouser Press. After a stint as Editor-in-chief for a national music magazine, Bill launched Musoscribe in 2009, and has published new content every business day since then (and every single day since 2018). The interviews, essays, and reviews on Musoscribe reflect Bill's keen interest in American musical forms, most notably rock, jazz, and soul. His work features a special emphasis on reissues and vinyl. Bill's work also appears in many other outlets both online and in print. He also researches and authors liner notes for album reissues, and co-produced a reissue of jazz legend Julian "Cannonball" Adderley's final album. His first book, Reinventing Pink Floyd was published by Rowman & Littlefield in 2018; a paperback edition was published in October 2019.