Album Review: Lucas Lee — Normalcy Bias
Some of those progressive drummers really get around; it seems as if Pat Mastelotto and Marco Minnemann are everywhere, and that they always involve themselves with fascinating projects. Pat’s the drummer here, but multi-instrumentalist Lucas Lee is the star of the show. He’s as skilled on classically-tinged piano as he is on menacingly distorted prog-metal guitar. The melodies are strong here, and the vocals (from the spoken news-chyron-esque “Justice Injustice” to the more conventional bits of singing on the remaining tracks) add a narrative element full of fear and paranoia to this mostly instrumental offering. It’s accessible without sacrificing ambition.
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About the Author
Bill Kopp
With a background in marketing and advertising, Bill Kopp got his professional start writing for Trouser Press. After a stint as Editor-in-chief for a national music magazine, Bill launched Musoscribe in 2009, and has published new content every business day since then (and every single day since 2018). The interviews, essays, and reviews on Musoscribe reflect Bill's keen interest in American musical forms, most notably rock, jazz, and soul. His work features a special emphasis on reissues and vinyl. Bill's work also appears in many other outlets both online and in print. He also researches and authors liner notes for album reissues -- more than 30 to date -- and co-produced a reissue of jazz legend Julian "Cannonball" Adderley's final album. His first book, Reinventing Pink Floyd was published by Rowman & Littlefield in 2018, and in paperback in 2019. His second book, Disturbing the Peace: 415 Records and the Rise of New Wave, will be published in 2021 by HoZac Books.