Album Review: Lucas Lee — Normalcy Bias
Some of those progressive drummers really get around; it seems as if Pat Mastelotto and Marco Minnemann are everywhere, and that they always involve themselves with fascinating projects. Pat’s the drummer here, but multi-instrumentalist Lucas Lee is the star of the show. He’s as skilled on classically-tinged piano as he is on menacingly distorted prog-metal guitar. The melodies are strong here, and the vocals (from the spoken news-chyron-esque “Justice Injustice” to the more conventional bits of singing on the remaining tracks) add a narrative element full of fear and paranoia to this mostly instrumental offering. It’s accessible without sacrificing ambition.
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About the Author
Bill Kopp
With a background in marketing and advertising, Bill Kopp got his professional start writing for Trouser Press. After a stint as Editor-in-chief for a national music magazine, Bill launched Musoscribe in 2009, and has published new content every business day since then (and every single day since 2018). The 4000-plus interviews, essays, and reviews on Musoscribe reflect Bill's keen interest in American musical forms, most notably rock, jazz, and soul. His work features a special emphasis on reissues and vinyl. Bill's work also appears in many other outlets both online and in print. He regularly hosts lecture/discussions on artists and albums of historical importance, and is a frequent guest on music-focused radio programs and podcasts. He also researches and authors liner notes for album reissues -- more than 30 to date -- and co-produced a reissue of jazz legend Julian "Cannonball" Adderley's final album. His first book, Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon was published by Rowman & Littlefield in 2018, and in paperback in 2019. His second book, Disturbing the Peace: 415 Records and the Rise of New Wave, is available now from HoZac Books. Read even more about him here.