
The album cover art is an unashamed homage to
H.R. Giger, so you might expect something foreboding, or at least challenging. The five-track album (one of which is a “bonus track”) is surprisingly understated, even with such able guests as
Trey Gunn (
King Crimson), and
Jerry Marotta (
David Bowie and many others). It’s a gauzy, nearly ambient recording that manages to convey a spectrum of emotions wordlessly. In places the album feels like
Jean Luc Ponty‘s late 70s work (sans violin). On “Cinemania ‘Alive’” the energy level increases briefly. Think ambient instrumental progressive rock meets chillwave a la
Zero 7.
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