Best of 2013: Reissues/Archival Releases
It’s that time, again: the time of year when I coast to the New Year’s finish line and post a string of best-of lists. It’s not simply a place-holding exercise; I really do recommend these albums etc. and sincerely believe they deserve a look (or a second look). So forthwith…
2013 has seen a number of noteworthy reissue/compilation releases, but for me these are the Top Five. Click on the titles for a full review.
The prodigiously talented Badfinger leader was also, as it turns out, prolific. One pauses to wonder what more great music he might have given the world had he successfully battled his demons. It’s some consolation that Badfinger chronicler Dan Matovina worked tirelessly to bring this two-disc set of early home demos to light. Get it while you can (if you even still can).
Just when you thought all the old R&B labels (Stax, Hi, etc.) had been fully mined for their reissue value, along comes this set. Yes, many of the artists are lesser-known than their major-label counterparts, but the quality of the music belies its relative obscurity. The people at Omnivore clearly love music, and their efforts in bringing out sets like these prove it again and again.
The guitarist’s recording career was tragically short, but man, was he busy. Allman’s work at the helm of The Allman Brothers Band showed but one side of his talents. This lavish set displays all sides, and does so in a staggeringly impressive physical package. (There’s a cheaper/slimmed-down version available as well).
Rock Beat has picked up the baton that Rhino initiated with its multi-disc Nuggets sets, heading south of the border and unearthing all manner of goodies. Even hardcore garage fanatics are likely to find surprises here: the music’s quite impressive, running the gamut from garage to popsike to way-out, mostly done with a guileless, on-the-cheap aesthetic that keeps it real.
The music of one of America’s most important musical and cultural figures deserves a set like this, perhaps the classiest, most comprehensive collection of its kind ever assembled. True, most people who purchase it won’t have a way to play the 78rpm record, but the accessible content is wonderful enough for that not to matter much.
Concord’s jazz reissues, Real Gone Music’s soul-jazz reissues on its Dusty Groove imprint, Jazzhaus‘ ongoing trip through German TV and radio archives, and Purple Pyramid’s reissue of classic space-rock albums from Nektar.
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