Single Review: White Orange
The a-side of White Orange’s single “…And This is Why I Speak to You in Parables” unfolds with insistent sheets of gauzy, hazy, druggy guitar figures. A sludgy Sabbathy rhythm section joins in the fun after awhile, giving the track a doom/stoner vibe. Just when the listener has tuned in and turned on to a head-nodding groove, the whole thing drops out. When the instrumentation kicks back in, the vocals start. Musically, not a lot of ground is covered in the track’s thirteen minutes, but then adventurousness isn’t White Orange’s goal here. They establish their vibe and effectively stick to it.
There’s nothing particularly retro about White Orange’s approach; their sound is, in the end, closer to a slowed-down Nebula or The Sword, though whatever (admittedly minimal) arena-rock tendencies those artists might possess is absent in the more direct approach of White Orange. Ultimately, thirteen minutes of “Parables” is a bit much, at least without the accompaniment of pharmaceuticals.
The disc’s flip-side “Middle of the Riddle” stakes out a slightly heavier (and marginally quicker-paced) feel. It also features some more interesting guitar work beyond the foundational riffage. What’s more, it clocks in at a relatively restrained five minutes. While it does trade in some of the same arrangement gimmicks, it’s not “…Parables (Slight Return).”
The 12” vinyl disc is lavishly decorated; the vinyl itself features splashy, eye-popping full color graphics on both sides, and the disc itself is a thick slab that might call to mind 78rpm discs of old (ask your grandparents). The sleeve art is similarly striking.
If these two tracks are a representative sample of what we might expect from White Orange’s imminent long player, then further investigation is warranted for fans of the genre.
Follow “the_musoscribe” on 
Twitter and get notified
when new features, reviews and essays are published.
DISCLOSURE OF MATERIAL CONNECTION:
About the Author
Bill Kopp
With a background in marketing and advertising, Bill Kopp got his professional start writing for Trouser Press. After a stint as Editor-in-chief for a national music magazine, Bill launched Musoscribe in 2009, and has published new content every business day since then (and every single day since 2018). The 4000-plus interviews, essays, and reviews on Musoscribe reflect Bill's keen interest in American musical forms, most notably rock, jazz, and soul. His work features a special emphasis on reissues and vinyl. Bill's work also appears in many other outlets both online and in print. He regularly hosts lecture/discussions on artists and albums of historical importance (including monthly events Music to Your Ears and Music Movie Mondays), and is a frequent guest on music-focused radio programs and podcasts. In Spring 2023 he is co-teaching a history of Rock 'n' Roll at UNC Asheville's College for Seniors. He also researches and authors liner notes for album reissues -- more than 30 to date -- and co-produced a reissue of jazz legend Julian "Cannonball" Adderley's final album. His first book, Reinventing Pink Floyd: From Syd Barrett to The Dark Side of the Moon was published by Rowman & Littlefield in 2018, and in paperback in 2019. His second book, Disturbing the Peace: 415 Records and the Rise of New Wave, was published in 2021 by HoZac Books. His third book, What's the Big Idea: 40 Great Concept Albums will be published in 2024. Read even more about him here.