These days, much of what sees release through Leonardo Pavkovic’s venerable MoonJune label tends toward jazz/fusion. That’s great, as the label brings some of the best those styles have to offer to a wider audience. But it’s nice to find the occasional progressive rock entry, something that – while ambitious – appeals to a slightly
As we begin another calendar year, now seems like a good time to clear out some of my backlog. All of these albums are new (or at least newish) releases. Paul Moran – Smokin’ B3 Vol. 2: Still Smokin’ As a lover of soulful organ jazz a la Jimmy Smith, I was taken in by
A cynic might say that the defining characteristic of jazz-rock fusion is that it pleases neither the jazz fan nor the rock aficionado. But after a few years playing together in Marbin, guitarist Dani Rabin and saxophonist Danny Markovitch found that they had become a fusion band. And the group’s success puts the lie to
All through last week, I plowed through my to-be-reviewed CD shelf, covering 50 discs (45 CDs, 5 DVDs) in five days. All of the music was reissues, compilations and/or archival releases. This week the march toward a clean shelf continues, with the focus now on new (as in, released in 2016) CDs. Off we go!
Today I’m serving up five more hundred-word reviews; today’s five all fit more or less into the progressive rock category, and they’re sourced from across this globe of ours. Mekaal Hasan Band – Andholan Talk about genre labels: I have some issues with the term “world music.” While often well-intentioned, it marginalizes most anything outside
Lightening the mood a bit today with some power-pop leaning releases, leavened with some heavier, more adventurous sounds. The Prime Ministers – Youngstown Milk Run Don’t allow yourself to be put off by the song titles that make use of tired Prince-isms (“Can U B My Dreams,” “I Wait 4 Your Guitar”). The songs are
More hundred-word reviews. Today it’s progjazz, prog-rock, and rock rock. Lorenzo Feliciati – Koi Rare Noise Records can reliably be counted upon to release challenging, outsider-flavored music that leans toward, jazz, avant-garde, and/or progressive directions. Koi is Lorenzo Felicati (basses, guitars, keyboard and more), Alessandro Gwis (keyboards and computers) and percussionist Steve Jansen. But they’re
Prog, jazz, blues: there’s something for most musical tastes in today’s roundup of hundred-word reviews. Mark Wingfield – Proof of Light If there’s a common raison d’être among the varied acts signed to Leonardo Pavkovic‘s MoonJune label, it’s to explore the sweet spot at which jazz and rock convene. Wingfield’s disc features a trio format
There’s a never-ending stream of new music, so it’s time once again for some hundred-worders to work off some of my backlog. As always, these all deserve full reviews, but with limited time and resources, 100 words will have to do. I’ll cut to the chase. Today it’s five acts nominally in the jazz/fusion/prog genres,
The backlog of music here at Musoscribe World Headquarters has gotten massive; it’s nearly overwhelming. Anyone who tells you that there’s no good new music out there clearly doesn’t deserve your attention. These albums, however, do. That said, the only practical way for me to cover them is to do so in a truncated fashion.