Hundred-word Reviews, March 2019 Part One

I can’t point to specific reasons as to why this is the case, but in recent months there has been more than the typical amount of really good music finding its way onto my desk here at Musoscribe World Headquarters. What that means, of course, is that it’s time once again for a clutch of

Hundred-word Reviews for September, Part 3 of 8

Still more hundred-word reviews. Today’s collection features shredding instro-rock, and, well, other kindsa rock as well. Aristocrats – Tres Caballeros Speaking of Marco Minnemann, he’s also part of power trio The Aristocrats. He’s behind the drum kit while Guthrie Govan handles (or, shall we say, shreds) guitar and Bryan Beller holds down the busy bottom

Hundred-word Reviews for September, Part 2 of 8

More hundred-word reviews. Today it’s progjazz, prog-rock, and rock rock. Lorenzo Feliciati – Koi Rare Noise Records can reliably be counted upon to release challenging, outsider-flavored music that leans toward, jazz, avant-garde, and/or progressive directions. Koi is Lorenzo Felicati (basses, guitars, keyboard and more), Alessandro Gwis (keyboards and computers) and percussionist Steve Jansen. But they’re

Hundred Word Reviews for May 2015, Part 3

I’m not complaining; it’s a good problem to have. But even after culling the ones I don’t like (and skipping the ones that impress me only mildly), I still end up with a massive pile of albums for review. And when said pile gets out of hand, I do a string of 100-word reviews. I’m

Hundred-word Reviews: January 2015, Part 4

There’s a never-ending stream of new music, so it’s time once again for some hundred-worders to work off some of my backlog. As always, these all deserve full reviews, but with limited time and resources, 100 words will have to do. I’ll cut to the chase. Today I look at five new releases form indie

Album Review: Lucas Lee — Normalcy Bias

Some of those progressive drummers really get around; it seems as if Pat Mastelotto and Marco Minnemann are everywhere, and that they always involve themselves with fascinating projects. Pat’s the drummer here, but multi-instrumentalist Lucas Lee is the star of the show. He’s as skilled on classically-tinged piano as he is on menacingly distorted prog-metal

Back to Bassics: A Chat with Tony Levin

Among musicians, Tony Levin is as close as once can come to being a household name. Among the wider public, he’s not well known at all. That may be because recordings under his own name have had a relatively low profile, despite Levin’s having played on several hundred recordings with and by other artists. He’s

Hundred-word Reviews July 2014, Part Three

I’m bound and determined to reduce the contents of my in-box to manageable levels, so this week I’ll be covering 25 albums, each adhering to a 100-word limit. Don’t mistake brevity for a negative review; these are all worthwhile releases. Today’s five – all new music – can all be labeled as progressive, though they

Hundred-word Reviews: New Rock/pop

More albums that deserve your time, but that I haven’t the time nor space to cover in a more in-depth fashion. Levin Minnemann Rudess – s/t This project brings together three of the busiest, most in-demand players on the scene today. Tony Levin (King Crimson) has played on literally thousands of sessions. Marco Minnemann is

Digital December

Longtime readers will know that I review digital releases only in the rarest of cases. Only slightly more often will I cover physical releases for which I have access only to a download (or even more rarely, a stream). However, on special occasions, I’m happy to make exceptions. Said occasions are generally this: the music