A cynic might say that the defining characteristic of jazz-rock fusion is that it pleases neither the jazz fan nor the rock aficionado. But after a few years playing together in Marbin, guitarist Dani Rabin and saxophonist Danny Markovitch found that they had become a fusion band. And the group’s success puts the lie to
Generally, I avoid reviewing more than one album by relatively unknown artists; even less often – never before, as far as I know – do I review two albums within the space of a year. But Marbin’s the real deal. Jazz-rock is a nearly meaningless term, so instead I might describe them as progressive rock
Today I’m serving up five more hundred-word reviews; today’s five all fit more or less into the progressive rock category, and they’re sourced from across this globe of ours. Mekaal Hasan Band – Andholan Talk about genre labels: I have some issues with the term “world music.” While often well-intentioned, it marginalizes most anything outside
Today I cover five more albums – all new music – in hundred-word format. There are some good – and quite possibly overlooked – releases in this bunch. Lucas Lee — Normalcy Bias Marbin — The Third Set Antoine Fafard — Ad Perpetuum Interstatic — Arise Wadada Leo Smith et. al. — Red Hill In
The backlog of music here at Musoscribe World Headquarters has gotten massive; it’s nearly overwhelming. Anyone who tells you that there’s no good new music out there clearly doesn’t deserve your attention. These albums, however, do. That said, the only practical way for me to cover them is to do so in a truncated fashion.
I am unashamed to admit it: I like progressive rock. I like it a lot. And yet I can’t trot out the boilerplate statement, “The fourteen-year-old boy in me loves his prog,” because at fourteen – even at seventeen – I didn’t really like the stuff. Which is a bit odd, seeing as those years
If, like some of my readers, you’re primarily interested in reading my interviews, features and conversations, then you may find the list below useful. It’s a complete (updated when I remember) index of all my published interviews. 1964 The Tribute / Mark Benson 50 Shades! The Musical Parody (producer/director/writer Emily Dorezas) Aberdeen City Acoustic Syndicate