Continued from part two… Bill Kopp: The Cleaners From Venus enjoyed – or endured — a brush with the big time in the UK around the release of ‘Ilya Kuryakin Looked at Me,’ didn’t they? Martin Newell: Yes. But I didn’t always like the show biz stuff. And I didn’t like some of the people
Continued from Part One… Bill Kopp: Are there any real drums on English Electric? Martin Newell: Bits and pieces, yes. You know, I never spilled the beans about what happened on The Greatest Living Englishman. I’ve never told anybody: there were some real drums on it, but mostly there weren’t. Andy Partridge produced it, and
I recently enjoyed the rare treat of a lively and wide-ranging conversation with Martin Newell. He’s largely unknown to American pop audiences, and that’s quite a shame. His music is pop in the best sense of the word: infectious melodies, straightforward instrumentation, witty (but never precious, arty or overly self-conscious) lyrics with clever turns of
Here’s five more brief reviews; this time we’ve got progressive rock, powerpop, indie chamber pop, goth rock and one album that’s simply beyond easy classification. What they all have in common is that they’re new, they’re indie, they’d be likely to escape your notice if you didn’t visit Musoscribe, and they’re all quite, quite good.
And here’s the last of this current run of hundred-word reviews covering new releases. Soul, powerpop and blues; something for most tastes. All worth your time. Sonny Green – Found! One Soul Singer Don’t let the cheesy, lurid, chartreuse album art dissuade you from the contents: this is the real deal. Sonny Green is one
Based in Redwood City, The Corner Laughers craft a brand of pop that’s sophisticated, clever, erudite and memorable – one that follows in the proud tradition of great songwriting artists like Carole King and Paul McCartney. Across the group’s several singles, EPs and albums, a love of wordplay combines with subject matter beyond the simple
Back in the days when it still actually played music videos, MTV put together a promo clip featuring David Bowie. The Thin White Duke smiled rakishly at the camera and intoned, “Too much is never enough.” And to make sure viewers got the point, Billy Idol, Cyndi Lauper and The Police told them the same.
The album title telegraphs that Eamon Ra is something of an eccentric artist. That the LP comes packed with a magazine-sized lyric/comic book only serves to reinforce that impression. And then when one digs into the music itself (as one most assuredly should), the discovery is that this character belongs in that rarefied place wherein
I’m determined to keep my backlog of music-for-review to a manageable size. Making that happen means that once again it’s time for ten of my quickie reviews. So off we go. These are all new or very recent titles of new music. Girls on Grass – Dirty Power I really like this record. Right off
This will almost certainly be my last roundup of new releases – capsule review style – for 2018. Lots of great music came out this year; don’t let anyone tell you differently. As always, each of these albums deserves more coverage than I’m able to give here, and each warrants a spin (at least) by