There’s a never-ending stream of new music, so it’s time once again for some hundred-worders to work off some of my backlog. As always, these all deserve full reviews, but with limited time and resources, 100 words will have to do. I’ll cut to the chase. Today it’s a wide assortment of music, from rock to jazz to Americana.
Keith Emerson & Greg Lake – Live From Manticore Hall
It would seem that the days of Emerson, Lake and Palmer are gone forever; other than their one-off reunion several years ago, they’ve all moved on to other things. That said, one of those other things was a 2010 concert series featuring the keyboardist and the guitarist/vocalist. This CD documents that dinner-theatre styled tour; there’s no Manticore Hall; this show was recorded in Connecticut. Toned-down readings – with less synthesizer than you’d expect – of the many classics from the ELP catalog are showcased here, and a lovely version of “I Talk to the Wind” recalls Lake’s King Crimson days.
The Satisfactors – The Satisfactors
This quartet plays rock’n'roll of the old-fashioned variety: power chords, shouted and swaggering vocals, songs about women, and so forth. Fans of stripped-down yet clever songwriting – think of The Romantics, Smithereens and the like – will appreciate the back-to-basics approach of The Satisfactors. An arena-rock feel is applied to songs that recall 70s punk, New York variety. Rolling Stones and Mott the Hoople sensibility shines through on tunes like the self-explanatory “I Love Girls.” Something about these guys reminds me of Donnie Iris (“Ah! Leah!”) but I can’t quite put my finger on it. Either way, it’s fun stuff.
Dylan Howe – Subterranean: New Designs on Bowie’s Berlin
Using music from one of David Bowie‘s most fascinating periods – his Berlin years which borne “Heroes,” Low and Lodger – seems like an intriguing approach for a new album. But presenting those songs – most of which are quite static and impressionistic, owing to Brian Eno‘s involvement – in a jazz idiom is downright odd. But that’s the idiosyncratic concept at work on this album from drummer Dylan Howe. The drummer’s dad (a certain Steve Howe) guests on one track, but not on guitar. My advice is to ignore the Bowie connection and instead enjoy the arrangements for what they are.
The Psycho Sisters – Up On the Chair, Beatrice
Near-lifelong friends Susan Cowsill (The Cowsills, Continental Drifters) and Vicki Peterson (Bangles, Continental Drifters) have worked together extensively, but Up On the Chair, Beatrice is the first collaborative album from the duo. Not rock a la Bangles (save for “Numb”), and not especially Americana-leaning as were Continental Drifters, the music here resembles a baroque, pop-centric rethink of The Roches. Quite varied in texture, the album is full of delights. “Never Never Boys” is reminiscent of the criminally-overlooked Cowsills album, Global, though it has a more countrified feel. Think of The Psycho Sisters as a sort of distaff Holsapple and Stamey.
The Apache Relay – The Apache Relay
The sweeping, majestic strings that open “Katie Queen of Tennessee” will pull you in, right from the get-go; there’s a depth of emotionality that’s conveyed by the string arrangement, a sort of modern Phil Spector wall of sound that adds dimension to the otherwise Americana styling of this Nashville band. If they never did anything beyond that opening track, they’d be noteworthy. But their self-titled debut is filled with goodies that combine the modern folkie-ness of Fleet Foxes with the studio-as-instrument aesthetic of SMiLE-era Brian Wilson. They’ll play Asheville February 28; look for more about them closer to that date.
More capsule reviews to come.
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