It’s that time of year again. In the USA, at least, the days after Thanksgiving is the unofficial kickoff of the Christmas season. And every year about this time, I find at least one Holiday-themed CD in my inbox. This year the disc of note is A Kool Kat Kristmas, a thirteen-track compilation of Christmas-themed tunes fomr as many artists, most of whom fall into the powerpop genre.
As is always the case, Christmas music can easily fall into the maudlin, overly gimmicky, or just plain awful. When it works – when something appears that’s worth adding to the Holiday section on one’s CD shelf – it’s pretty good. A few wonderful but lesser-known tunes are out there: Bill Lloyd‘s “Under the Christmas Tree” is a favorite that most people have never heard.
And for the most part, the tunes on A Kool Kat Kristmas work. The general approach that these artists use is to take a sturdy pop melody, add some bells, and put a Holiday-themed lyric to it. If you didn’t understand English, little beyond the tubular bells would hip you to the fact that these songs are about Christmas and such.
For the most part, the bands here don’t sound all that different from each other; listen casually – -while you’re doing other things, like, say trimming your Christmas tree or writing a review – and you might not even notice that the disc is a various-artists set until you’re several cuts into the album.
Taken as a compilation of powerpop, it’s quite nice: not the most remarkable collection ever, and certainly no Yellow Pills, but sturdy and enjoyable.
Several of the acts found here have had their music covered here on Musoscribe: The Bottle Kids, The Genuine Fakes, Dan Kibler, Stephen Lawrenson, Martin Newell – and not surprisingly, their offerings are among the strongest tunes on this disc.
The Bottle Kids’ “Christmas in Paris” actually includes an actual guitar solo, something few of these yuletunes bother with; it’s a gentle number that perhaps fits with the theme of the Holidays better than some rave-up powerpop tune might do. The Genuine Fakes’ “You Always Come Back Home” is a plaintive, elegiac number, and its gently unfolding arrangement is a highlight of the set.
The Connection‘s “Poor Boy” has a goodtime jug band feel reminiscent of Sopwith Camel or Spanky and Our Gang. And though a good half of the tunes on the disc lean toward the melancholy, Shake Some Action up the uptempo jangle quotient for the wonderfully Byrdsy “Christmas in the Sun.” In fact they may have done themselves a disservice by penning a song destined only for play around the holidays; it’s perhaps the best song on the entire set. And save for the goofy “ho ho ho” that kicks it off, The Tor Guides‘ “Beatles Vinyl” is a winner: chiming guitars and warm vocal harmonies provide backing for a sentiment most everyone can agree upon.
Stephen Lawrenson’s “Glad It’s Christmas” is perhaps the disc’s most musically ambitious number; the acoustic guitar runs are reminiscent of Led Zeppelin III. Wyatt Funderburk‘s “Cold” suggests Brian Wilson‘s musical approach. And while Martin Newell (or anyone, for that matter) would be hard pressed to top “Christmas in Suburbia” from his 1993 The Greatest Living Englishman, the stately and melancholy “Ghosts of Christmas” ends the disc on a memorable (if slightly eerie) note.
In keeping with the sensibility of the season, a portion of the disc’s proceeds goes to The Susan Giblin Foundation for Animal Wellness and Welfare. The album is available from Kool Kat Musik.
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